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Deepa is a small-town girl who lives alone in Kolkata and works in an ad agency. If we associate it with the real world, her character seems schizophrenic.Īlso read: Who said I'm single? I am not!: Paoli Damīut then, reality is an integral part of the film. After all, Deepa’s mysterious forest and its whispering breeze are only possible in a poem or a fairy-tale.
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It’s either fantasy with a touch of reality or reality too far-fetched to be believable. That’s the exact question on your mind for most part of the film - why? And there’s no answer. It can at best be compared to a child’s attempt at rhyming disjointed words: The reason is missing. But sadly, the narrative flow lacks rhythm. The film revolves around this struggle and how Deepa overcomes itĪjana Batas is a poetic film in fact, a bit too poetic. She sinks deeper into a shell as time passes, struggling to make her ‘lost’ thoughts clear to others. Whenever she wants to say something crucial, a mysterious breeze blows her words away. Ajana Batas is a slow, lifeless film that fails to get its rhythm right, a story that fails to connect with the audience, a poem that fails to evoke emotions.ĭeepa (Paoli) - a small-town girl who works as a copywriter in a Kolkata-based ad agency - starts having problems communicating with those around her.